5 Demonstrações simples sobre final fantasy 7 remake Explicado
5 Demonstrações simples sobre final fantasy 7 remake Explicado
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After hearing of a man in a black cape the group follows the rumors to Junon where they are surprised to find Rufus Shinra holding his crowning ceremony. The party disguises as crew members and stows away on the cargo ship bound for the western continent.
The patches have been known to improve both the audio/visual experience as well as the gameplay. Releases[]
[38] The script for the scene was written by Nojima. Kitase and Nojima then planned that most of the main cast would die shortly before the final battle; Nomura vetoed the idea because he felt it would undermine the impact of Aerith's death.[37] Several character relations and statuses underwent changes during development. Aerith was to be Sephiroth's sister, which influenced the design of her hair. The team then made Sephiroth a previous love interest of hers to deepen her backstory, but later swapped him with Zack.[53][61] Vincent and Yuffie were to be part of the main narrative, but due to time constraints, they were nearly cut and eventually relegated to being optional characters.[53]
The main characters were adjusted in various ways for Remake. Rather than the "cool and collected" Cloud as seen in other games, Remake depicts his apathetic attitude as a façade to mask his insecurities. Nojima wanted to convey that his standoffishness could be seen as lame.[54] Cloud's initial redesign for Remake departed more dramatically from the original's, but was later altered to more closely resemble Nomura's design.[43] Tifa's desire for revenge against Shinra is complicated by her reluctance to enact violence. Barret's passion and charisma rallies other characters to follow his lead.[54] Nojima worked hard to make the interactions between these three conterraneo.[55] It was important to Hamaguchi to include a scene wherein Cloud has an intimate conversation with one of his teammates based on the player's choices in homage to the "date" scene from the original game.
The story and scenario writer, Nojima, also added that stopping the game at the end of Midgar would also allow for an adequate amount of story scenarios to be put in as well. Nomura further added that level designs would have to change again after the party leaves Midgar. If the developers were to do that, they would also have to split up other scenarios and even if they add new gameplay, it would have to end in an abrupt point of the story. That's why they felt that if they had everything focused in Midgar, they wouldn't have to split up any of the story elements that happen there.[51] Scenario[edit]
The main creative force behind the overall 3D presentation was Kazuyuki Hashimoto, the general supervisor for these sequences. Being experienced in the new technology the team had brought on board, he accepted the post at Square as the team aligned with his own creative spirit. One of the major events in development was when the real-time graphics were synchronized to computer-generated full motion video (FMV) cutscenes for some story sequences, notably an early sequence where a real-time model of Cloud jumps onto an FMV-rendered moving train.[37] The backgrounds were created by overlaying two 2D graphic layers and changing the motion speed of each to simulate depth perception.
After players complete the “Fall of a Hero in Nibelheim” content, the demo will receive an update on February 21, opening another playable section entitled “Dawn of a New Era in Junon.” In this special preview made specifically for the demo, explore a small piece of the massive in-game world around the harbor town of Junon.
He additionally expressed a desire to expand on the original game's depiction of Midgar for one game, wanting for players to explore various areas of the city that were previously inaccessible in the original, and with heightened detail due to the increased power of final fantasy vii newer generation hardware. While Nomura understood the nostalgia behind the original game's story, he envisioned the game as a reimagining that would in turn, "get the fans of the original version excited".[16]
The Materia system was decided upon by the team, where weapons and armor can be equipped with any Materia. It was decided the battles wouldn't be about characters with individual, innate skills, but that combat would change depending on the way Materia was used.
Final Fantasy VII Remake received "generally favorable" reviews, according to review aggregator Metacritic,[113] with critics praising its faithfulness to the original game. Tamoor Hussain of GameSpot states that, while Remake is only the initial entry in a full reimagining of the original game, it is rich in details that were previously unexplored, realizes new storytelling ambitions with confidence, and presents fresh perspectives that feel both meaningful and essential in his review. To summarize, he says that the game tells a smaller, more personal Final Fantasy VII tale and marries it with a smart mashup of action and RPG gameplay in order to deliver a must-play experience.
The game features real-time exploration and combat, with the overworld expanding into a more open-ended environment compared to the linear progression of Remake's Midgar. Objective markers appear in the heads-up display, highlighting main story quests and sidequests to complete along with their respective distances from the party in the overworld. In addition to walking on foot, the party can ride on Chocobos as a faster means of traversal by equipping the specialized Chocobo Lure Materia. Rebirth expands on the hybrid of action-focused melee combat and the Active-Time Battle (ATB) system introduced in Final Fantasy VII Remake, in which the player takes control of a party composed of characters that can be freely switched between during gameplay.
The game reimagines the events of the 1997 PlayStation classic up to the team’s departure from the city of Midgar. The original game was a ground-breaking release that changed the gaming landscape with its flexible RPG mechanics, epic story, unforgettable characters and sky-high production values - there’s a reason it regularly features on lists of the best games ever.
While trailers make it seem like the game will still be very similar to the original, exactly what will unfold is not entirely clear. Additionally, Nomura has repeatedly alluded to "surprising developments" in Rebirth. Similarly, game director Naoki Hamaguchi has teased a "big surprise" for a memorable scene.
"One-Winged Angel", the theme used during a part of the final battle against Sephiroth, is recognized by many as one of Uematsu's best works. The track uses high-quality digitized voices, a first for the series.